Intimate landscapes…revisited

So…it’s spring again, and I’ll try to make time to be a little more active here on the blog. My apologies for lack of posting throughout the winter.

Green tranquility

The magic place

 

I have previously written about my love for intimate landscapes. I love a grand vista as much as everyone, and more or less plan my trips around viewpoints and with a more or less grand landscape in mind. But as I previously have stated, throughout the years I have drifted more and more towards photographing more intimate scenes. Not only do that type of landscapes open up for an infinitely larger variation of scenes and are more forgiving wiht respect to light, but I also find it more challenging and rewarding to work around a specific composition. Trying to figure out a small scene is pretty much like solving a puzzle or crossword. I particularly like to work with forest-scenes and although it can be extremely challenging to come up with a composition that conveys the mood or pass on a message of some kind, it is also very rewarding when I feel I achieve that.

I have a few inspirational sources, or favourite photographers if you will, when it comes to this genre. Besides the obvious Eliot Porter who probably first came up with the term “intimate landscape” with respect to photography (major exhibiton at Metropolitan museum of art and printed publication titled “Intimate landscapes” in 1979 – google it!) there are also more contemporary masters of the craft. I could name numerous, but photographers like Serkan Gunes, Hans Strand, G Dan Mitchell and Christioher Burkett stand out, in my opinion.

Misty spring

Misty autumn

Having worked dedicated on intimate landscapes for only a few years, I’m definitely a novice in the genre. But I will continue to focus on the small scenes as I find it extremely rewarding and great fun.

Norwegian wood – more than Beatles

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I’m going to let you in on a little secret here. With all the mountains, fjords, shores, waves, and not least aurora borealis going on up in Lofoten right now, it may be hard to understand, but we have trees in Norway too! Dozens of them 🙂 Actually large parts of Norway is covered with woods, many of them almost untouched. This is from such an area. I set out one very early morning to capture some fall-foliage in a remote location. On my way out, this scene captured my attention. The low, warm autumn-morning light lit up the trail in front of me and even though the scene per-se was somewhat ordinary (in lack of a better word) the light gave away the image. By the way, I didn’t find any fall-foliage to speak of that day, but I actually stumbled upon a dense rainforest-like pocket with the most intense green moss and ferns I have ever seen. But thats a different image and story. Hope you like this one, have a splendid tuesday!

Monochrome trees

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Evolution and improvement always originate in altered given conditions or challenges. As creative beings we need inspiration, but we also need to get out of our comfort-zones (cliché alarm!!) and try new things from time to time to avoid stagnation. I find great inspiration in studying other photographers and I have a fair share of people whose work I follow regularly, both on-line, in photography-competitions and on exhibitions. Many of these photographers have a style totally apart from my regular modus operandi, but I find it extremely stimulating to analyze their work, maybe just because it is so different from my regular style (A series about my favourite photographers is on its way here!)

I continuously scrutinize my own work and try to challenge myself to improve. I embark on different projects and set myself clear goals. Most often, I decide to try new things which involve a different approach to the subject matter, the photographic process and the postprocessing I have become accustomed to. This way, I force myself to see the world with new eyes. Although the results may be so-and-so, I always learn something about technical details, composition and my vision.

By the end of last year I decided to commit myself (for a period, at least) to work more with intimate landscapes, monochrome, forests and trees. This was partly due to inspiration from other photographers but mostly because I wanted to expand my vision, improve my compositional skills and learn to apply new methods in capturing and postprocessing. More about this process later, but for now I just wanted to share some of the results so far. Hope you like them. Have a splendid week!

Dag Ole

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2015 – more forests and B&W!

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Beams. Yosemite Valley, june 2014.

Now, I’m not really a guy for making new-years resolutions. However, every now and then I scrutinize my own images and adjust my direction somewhat to have the right all-over balance in my work. I have decided that I will try to work a little bit more with forests and trees and more in black and white this year. Ok, now I’ve said it. Hope I can live up to that. I will start with preferring forest-destinations when I have no specific other plans, and also plan to submit a few more images to dedicated B&W competitions.

This image is from Yosemite Valley an early morning in june 2014. I was driving into the valley and saw some light mist covering El Capitan Meadow. I stopped my car there and walked into the forest of giant trees by the foot of El Capitan. A truly magical morning! Hope you like it, have a super weekend!

Dag Ole

Enchanted forest

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Enchanted forest. Bavaria, Germany, october 2014.

Enchanted forest. Bavaria, october 2014.

Driving from Garmisch-Partenkirchen towards Ammersee one day early in october, I was continuously scanning the landscape for interesting scenes. The skies were overcast and there was light rain in the air, perfect conditions for photography in the forests. After a quick lunch I passed a small but dense forest. I stopped on a small turnout and headed into the woods. On my way back the car, these wonderful twisted backlit trees caught my attention. Hope you like my image, have a wonderful weekend!

This is a new release in my gallery nordhaugphotography.com

Dag Ole

Morning light, Riessersee

Ok, I promised that my next post was going to be about equipment. However, I just returned from my trip to the German alps and have started to process images, so I wanted to share this new release in my gallery first. Bavaria has so much to offer the landscapephotograper, and I was really lucky with both weather and the autumn colors which seemed to peak last week. More images from the Alps in the weeks to come!

This is a new release in my gallery: Nordhaugphotography.com

Dag Ole

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