Monochrome trees

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Evolution and improvement always originate in altered given conditions or challenges. As creative beings we need inspiration, but we also need to get out of our comfort-zones (cliché alarm!!) and try new things from time to time to avoid stagnation. I find great inspiration in studying other photographers and I have a fair share of people whose work I follow regularly, both on-line, in photography-competitions and on exhibitions. Many of these photographers have a style totally apart from my regular modus operandi, but I find it extremely stimulating to analyze their work, maybe just because it is so different from my regular style (A series about my favourite photographers is on its way here!)

I continuously scrutinize my own work and try to challenge myself to improve. I embark on different projects and set myself clear goals. Most often, I decide to try new things which involve a different approach to the subject matter, the photographic process and the postprocessing I have become accustomed to. This way, I force myself to see the world with new eyes. Although the results may be so-and-so, I always learn something about technical details, composition and my vision.

By the end of last year I decided to commit myself (for a period, at least) to work more with intimate landscapes, monochrome, forests and trees. This was partly due to inspiration from other photographers but mostly because I wanted to expand my vision, improve my compositional skills and learn to apply new methods in capturing and postprocessing. More about this process later, but for now I just wanted to share some of the results so far. Hope you like them. Have a splendid week!

Dag Ole

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2015 – more forests and B&W!

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Beams. Yosemite Valley, june 2014.

Now, I’m not really a guy for making new-years resolutions. However, every now and then I scrutinize my own images and adjust my direction somewhat to have the right all-over balance in my work. I have decided that I will try to work a little bit more with forests and trees and more in black and white this year. Ok, now I’ve said it. Hope I can live up to that. I will start with preferring forest-destinations when I have no specific other plans, and also plan to submit a few more images to dedicated B&W competitions.

This image is from Yosemite Valley an early morning in june 2014. I was driving into the valley and saw some light mist covering El Capitan Meadow. I stopped my car there and walked into the forest of giant trees by the foot of El Capitan. A truly magical morning! Hope you like it, have a super weekend!

Dag Ole

Personal favorites of 2014, post #2. From Venezia.

Rialto gondolas

Rialto gondolas

 

 

Venezia, or Venice, in Italy is a photographers dream. I have visited this beautiful city several times, and every time I’m equally stunned by the timeless beauty and mood of this place. What makes it so rewarding to photograph is that it is so full of unique character. From the canals and gondolas to many of the wonderful building and small squares, so many characteristics are unique for Venice and the viewer instantly know where the image is captured. A visit during peak season, summer, can be a very hot and crowded experience, to say the least. I recommend a visit during late autumn, winter or early spring, when the locals mostly have the city to themself, the pace is slower and more relaxed and the often present morning fog adds to the mood of the city. When I visited last, in march 2014, I spent every night walking the narrow streets in dense fog. The image above was captured such a night by Canal Grande. I find that monochrome works very well in timeless cities like Paris and Rome, but maybe most of all in Venezia. I was fortunate enough to receive honorable mention for my monochrome portfolio from Venezia (where this image was one of several) in this years International Photography Awards, IPA. The picture below is captured a different morning, minutes before the sun emerged as a red fireball over St. Marks square.

Before sunrise, Venezia

Before sunrise, Venezia

 

 

The last of my images in this post is actually not from Venezia, but from a different island in the Venezian lagoon. About one hours ride with a “bus-boat” from Venezia, you will find the small island of Burano. Known for its characteristic small canals and houses painted in vibrant colors, it is definitely worth the detour for a photographer interested in travel and architecture! This image is also part of a portfolio that received honorable mention in IPA.

Burano study 7

Burano study 7