This image was captured on last christmas eve while visiting friends and family in North Norway. Long story short: On our way to christmas dinner, the light was wonderful, the moon emerged and the icy cold temperatures froze the shores and gave a dense fog over the sea. I couldn’t help myself. I changed outfit and ran down to the shore and worked there all the way into pitch darkness and well into christmas dinner. My very kind and understanding wife actually approved this stunt, but I got a suspicion that not everybody else was very happy… But at least I got a few nice images! 🙂
When I started to photograph, it was rather dark but the disappearing aurora of the sun lit up the scene in a wonderful red-pinkish hue. As it got darker and darker, the aurora weakened and stars started to appear. At the same time, the foreground was becoming very very dark (I could hardly see my hands..), and the moon very bright compared to the landscape. I knew that even the very high dynamic range sensor in my d800 would not be able to capture both landscape, moon, stars and the color of the disappearing sun in one single exposure. So, I composed this image with the camera on my tripod and took numerous exposures at different iso’s and exposure times to capture all the elements in the scene as I saw it. The next day, I sat down and inspected all the different files. The aurora and the moon matched perfectly in some of the exposures, and to my surprise, earthshine lit up the shadowed part of the moon perfectly. The foreground however, was too dark on these exposures and the sky too bright to show any stars. My original plan was to follow my regular HDR workflow and blend the exposures in HDR efex pro but the result was far from satisfying. It lacked the contrast and crispness I wanted. I tried to increase clarity and contrast but by then things started to look really weird. Since I had three exposures from three different regions of the scene I decided to blend them manually. I used the image where the moon and the sunglow was perfect as my base. I then took one exposure of the starry sky and blended it into the top of the first image using the masking bug in the layers module of the wonderful OnOne Perfect Photo Suite 9. In exactly the same manner, I blended a lighter foreground exposure into the lower part of the image. The resulting image was then imported back into Lightroom and after slight adjustment of temperature, color, clarity and sharpness, the image came out very close to how I experienced the scene. The masking bug has a gradient which give soft and natural transitions and I found it amazing how naturally the different exposures blended with a broad gradient.
I have visited the Lofoten islands in North Norway on several occasions, both summer and winter, for photography. Being born and raised, and lived a substantial part of my life in North Norway, I am fairly familiar with the landscape and pretty much know what to expect. However, in this part of the world, the weather is extremely unpredictable, so basically you don’t know what you get until after you have been there. Forecasts are nothing but weak guidelines at best. On my last winter-visit a couple of years ago I had snowstorm, rain, freezing could, and bright sunshine, all in one day! So, I pretty much don’t know what to expect from my next trip in february, but I hope for the best. I would of course hope for some clear skies to catch some nightscapes with stars and some aurora-shots, but you’ll never know. Anyway, the landscape itself is so amazing with wonderful mountains raising more or less straight from the sea, so I feel pretty confident that I will be back with at least a few keepers. In the meantime I’m posting this classic scene from the small fishing village of Reine in Lofoten, captured only a couple of hours before midnight in june 2013. Hope you like it!
As much as I love a day on the beach, I must admit that few things can compare to a photo-session in a freezing cold, snow-clad landscape. I’m fortunate enough to live in Norway so winter is all around me this time of year. Days are short, but when the skies are clear, the light is beautiful. This image was captured in late december near Mayavatn in central Norway. I was driving home from a visit to friends and family up north as I passed this scene. I stopped the car, parked and ran out in the snowy fields, having snow up to my waist. The thermometer showed -24 deg celsius and I was dressed for driving in a warm comfortable car, not fieldwork. Suffice to say, I got cold and wet, but I think it was worth it. Hope you like my image, have a super Wednesday!
Now, I’m not really a guy for making new-years resolutions. However, every now and then I scrutinize my own images and adjust my direction somewhat to have the right all-over balance in my work. I have decided that I will try to work a little bit more with forests and trees and more in black and white this year. Ok, now I’ve said it. Hope I can live up to that. I will start with preferring forest-destinations when I have no specific other plans, and also plan to submit a few more images to dedicated B&W competitions.
This image is from Yosemite Valley an early morning in june 2014. I was driving into the valley and saw some light mist covering El Capitan Meadow. I stopped my car there and walked into the forest of giant trees by the foot of El Capitan. A truly magical morning! Hope you like it, have a super weekend!